We made it through two weeks of homeschooling, two weeks of working from home with two kids around, two weeks of The Spring of the Virus. Even if the Shelter in Place order lasts into summer, into fall—God forbid—it will be springtime in my mind when my future wise self and I look back on this global Coronavirus pandemic. Covid19 shut us all down right as the tulips and asparagus burst forth. The other morning, eerily quiet since traffic has so slowed and Bart is running shorter hours and fewer trains, I heard a flock of Canada geese flying over the house. Heading North for summer? Choosing a different path in quieter skies? It was nice to hear them.
Things at our house are going better than expected, much better than I’d feared. When we made it to last weekend, I could even say, honestly, that we were doing okay. This after a desperate and depressed couple of days; the shops were overrun with people (but devoid of toilet paper), and I ran into a teacher from my son’s school and we both burst into tears. Governor Newsom had just announced that our kids might not go back to school this year, and that was the reality that hit me the hardest both personally and globally: all these children, for whom school is structure and lifeline, are now floating, aimless, free. My son’s got his best teacher so far, and as Ben put it, we wanted the whole year with him—we needed the whole year!—and we don’t get it. It’s hard not to feel betrayed and devastated.
Except that my kid is, basically, fine.
At ten, he’s both sensitive and oblivious, and nothing if not an introvert. He admitted last week that he’s not much missing anyone, and he’s happily reading, doing his math, shooting hoops, and driving us nuts. The three-year-old seems to be thriving, too, which is confusing to me since he loves his preschool so very much. But he’s easier to be around, less exhausted, more cheerful, sleeping better, and thriving on our makeshift routine: every day at ten, when the morning work shift (mine) ends and I start on kid duty, we cook something together, then have experiential learning time (the endless project of making an Ancient Rome diorama) before family lunch. PE is every day from 2:30-4:00: we scooter, or we bike ride, or we meet up with friends outside and keep a careful six feet away. Or we trek up to Indian Rock and climb around.
The running underlying thread of dread. The confusion and guilt of doing okay: am I faring better than some of my colleagues, than some of my friends? Should I feel bad about this? Is this time the calm before the storm, before the colleges and non-profits close and our income disappears? Will all of our favorite businesses go under? Are the kids who thrived on the routine of school going to back-slide during this time and be forever behind, perpetuating the achievement gap in our city? Will we plummet into a global recession that has consequences so long-lasting my kids will feel them in their early adulthood? And will we get and survive this thing? What about our loved ones?
It’s almost unnecessary to outline these fears. We all have them. Even on the good days, they’re there. It’s like this brilliant quote from that show “The Good Place,” when the Eleanor character is trying to describe what it’s like being human to someone who’s immortal. “We humans know about death,” she says. “So we’re all always a little bit sad underneath.” We humans know about Coronavirus, so we’re always a little bit sad underneath. None of us will ever be the same after this spring of the virus.
“It’s good to keep knowing yourself,” says Alicia Keys in this delightful video. The strangest/most magical part of The Spring of the Virus? Really seeing the four people who make up our family in clearer ways than usual. When all the schedules are wiped clean, when we’re the only people we see, somehow I know us all better, and differently. L is shyer than I remembered, and consistently happy to entertain himself. Ben takes deep solace in growing things. I’m alive if I’ve got my early mornings and a cup of tea, writing poems. And little S thrives on being needed, on being cherished, more than ever.
Sending love and light, readers, for your Spring of the Virus. We’ll get through this.
High, Low, Buffalo, similar to Rose and Thorn, is a dinnertime game that was introduced to me by my friend An Honest Mom. Over dinner, you share your day: the high, the low, and the magical, or strange, or odd thing you’re still mulling over: the buffalo.
Need some recipe ideas while you’re stuck at home? Check out:
**And remember that it’s very likely that your local, independent bookstore is doing online orders. Mine is! Amazon will survive this crisis. Your local bookstore might not. So buy your books indie, friends.
A few people reported that they found my last blog post depressing. “Is it just the end of hope??” one asked, but that wasn’t what I meant, not exactly, and I’m sorry if you, too, found depressing the idea that normalcy is a fallacy. I hoped that by calling out our lives for what they are—unpredictable—that maybe we could make peace with it. I know that when I hold too tightly onto the idea of something being a certain way, when I hold too tightly onto joy, I feel that much more bummed out when it goes awry. A little lightness can help. Witness: when that flood happened, and Ben and I were both minorly freaking out, I noticed that when we had a quick conversation about it, accepted the fact that our house was going to be in chaos for a few days (ha! Try weeks), and hatched a clear plan for what to do next, we both felt a lot calmer.
But the comments I got on my last post made me see how a mantra of “life is unpredictable” could quickly become something like “life is unpredictable…so you should live each day like it’s your last.” And, you’re right—I do find that depressing. That carpe diem thing always makes me feel panicky. Am I living my best life? It makes me wonder. Could I be doing a better job? Answers: a) probably not, and b) yes, of course I could be doing something better. And then what happens? I take up skydiving because I think I should, because I might get hit by a bus tomorrow? What bugs me about the carpe diem mentality is it seems steeped in, among other things, white privilege. And class privilege. Uh, how are you supposed to live every day like it’s your last when you’re poor? Or, in my case, when you have two annoying but adorable kids, plus a very adorable gecko with very specific temperature needs that are stressful to meet?!
But hear me out. Because I’ve had a revelation.
I’m not going to take up skydiving, but I DO think that if life is so unpredictable…I should try a little harder to chase joy. In January, while I was on school break but things were in minor chaos at my house, I found myself feeling like I was wasting every day, not eeking enough enjoyment out of things and not having enough, well, fun. Part of this is the reality that mothers are never really “on vacation,” because even though I wasn’t working I had to rally the kids and make lunches and whatnot and whatnot and whatnot. But when I teased Ben that if he had an entire month off he’d be going on ski trips and day drinking and riding his bike and meeting me for lunch—and he eagerly agreed, and this is one of the things I love about my husband—I realized that I kind of have a hard time relaxing, being on vacation, even just accepting the abundance of my life and the many wonderful things about it.
I have a hard time accepting joy.
I know how that sounds, sort of Marie Kondo-esque, kind of woo-woo, very first-world problem-y, but it’s true: I am constantly rationing pleasure. If I wake up on a rainy Saturday and decide, you know what, I’m going to spend all three hours of Sammy’s nap time watching Project Runway re-runs, because I’m an adult, dammit, and I can make that kind of decision, partway through, I feel intensely guilty and go do some laundry. If I plan to do something frivolous of a Wednesday—say, meet a friend for some day shopping—I temper it by admonishing myself that I’ll have to get up early to write. If I’m sick and decide to read trashy novels for days on end, I get so depressed at not being up and productive I can’t even enjoy them.
And it carries into my work life and makes me worse at what I do. For example, right now I’m really, really trying to make a big mess of things with the poetry collection I’m writing, but every other day a stern voice urges me to stop playing, to stop creating, to start tightening the language and putting it together. Get serious, Suz, the voice urges. Work harder. Even though I know, in some other rational part of my brain, that I haven’t finished the writing/ideation phase yet, that it might be another six months or even a year before I’ve really worked out the kinks, and that NOT approaching it with too much seriousness is exactly what I should be doing.
Why do I do this? As penance? Because I’m so driven by guilt that I just can’t allow myself any reprieve? Because I don’t believe that I deserve the creative process, deserve joy? I’m not sure, but I know that day after day, I’m consumed by guilt. I’m constantly putting myself on cleanses or rationing my wine, curtailing my spending, feeling tight.
There’s a lot of joy in my life. A lot of space. A lot of stuff to be grateful for. And I am.
So. I’m trying to change this. I’m trying to allow myself some space. Some joy in the lovely process of writing poem after poem in the early morning dark, and not pausing to ask whether they’re any good. To take breaks. To drink a fancy cocktail after a tough day without guilt. Because like is short, and I might get hit by a bus tomorrow.
I’ll let you know how I do. And I’d love to know: do YOU ration joy, in your work, in your life? Comment it up, friends.
January is one of my favorite months, even with the rain, even with the dreariness, even with the promise and delight of the holidays over. In January, I get four weeks off…when no one else in my family does. The deliciousness of having weeks on end of paid reprieve from teaching is, well, delicious. In January I schedule all the doctors’ appointments. In January I clean out the closets. In January, I finish entire manuscripts, read shelves full of books, blog like mad, and, sometimes, relax. In January, everything is back to normal.
In my mind, anyway.
Because it never quite works out like I’m hoping it will. One January I found out in the middle of the night, in the ER, that I needed emergency surgery for a ruptured fallopian tube and that I was no longer pregnant. It was the following January when I got salmonella. I had a Big Important Trip a January after that. This year, I ended the holidays with the casual thought, “when things get back to normal, I’ll buckle down on the poetry project I’m working on.” I did, for a day or two—until the morning we went to get the kids up and stepped onto soaking wet carpet. The heavy rains had made it into the house, and I spent the next morning pulling up the carpet and moving furniture. That saga has stretched on; contractors tracking mud through the house for ten days now, heavy-duty fans whirring 24 hours a day, and everyone sleeping everywhere. The little one is in a portable crib in our room; the larger offspring is on a mattress on the living room floor, at least, after he gets moved from our bed when Ben goes to bed. Most nights I crawl in with a sweaty nine year old and a zillion stuffies.
I’ve had this thought so many times: I just need to get over this cold/depression/construction project and then things will be “back to normal.” I’m sure we all do this, search for this elusive normalcy that doesn’t actually exist. I’m sure my friend S thought things would be “back to normal” after she had her thyroid removed—until she plunged into three months of insomnia hell. I’m sure my mom thought things would be “back to normal” after she had her hip operation—until she learned she needed another operation later that year.
I’ve been thinking a lot about something my yoga teacher said at a retreat last fall, about how we make these excuses and concessions for the busy times in our lives, as though each time we feel strung out and overextended it’s somehow unusual. “It’s always like this,” she said, and I realized that she was right.
And it’s kiiiind of a depressing thought, I suppose. We humans like routine. We like to think we can do everything. But if we acknowledge that we never know what’s coming down the pike—particularly, frankly, when we have children—maybe we inhabit our time better. Maybe we make better routines, the kind that have some room to wiggle. Maybe we forgive ourselves when we don’t meet our goals and our deadlines. Maybe we approach each day with a little more grace. Maybe we stop putting so much pressure on…January.
I’ve still got two weeks to go of my glorious break. My house looks like a bomb hit it. What’s the point in cleaning? We’ve all had colds. Whenever I start to get some writing done, I’m interrupted by someone needing access to the house, by a phone call. (This blog post has been all kinds of fits and starts!) But it’s all just life. It’s always going to be like this. And in the larger scheme of things, this stuff is, as Pema Chödrön would say, no. Big. Deal.
So, “back to normal,” off you go. For now, I’ll just take the promise of having my children down the hall again before February.
In Norway, this time of year is called the Mørketid, the dark time, and the Norwegians, who are used to it, light candles at four pm and have dinner early and snuggle into their warm houses. Or, if it’s snowed, they put on their skis and head to the lighted trails that exist all over the country and ski and ski and ski. They cheerfully get up in the dark at dawn and go to work. Their creativity in dealing with more than 12 hours of darkness is impressive.
When we lived in Oslo, I started a new teaching job at a public high school just after New Year’s. I was three months pregnant with L and terribly morning sick, and two days a week I had class at eight. So I rose at six in the pitch black and attempted not to vomit as I navigated the shower, some clothes, a cup of tea, and the Trikk, the streetcar that took me to Majorstuen, where I would hop on the subway for two stops. By the time I arrived at Berg Vidergaendeskole there was a gray light, but the sun didn’t really rise until the end of first period.
We humans can romanticize all kinds of things.
We’re in our own dark time in California, which is never sure how to be winter, but tries, and I’m still setting the alarm for six as many mornings as I can muster. It is a strange sort of push and pull, for I really do loathe getting up early, but ever since I learned that the poet Lucie Brock-Broido calls the morning being “wet from the other side” I’ve been unable to shake the notion that this time, this liminal time between night and day, is when the creativity is awakening and the words best flow—or sputter, or crawl. (And, because life is so busy, sometimes it’s the only time of the day, anyway.) Sure enough, I’ve been getting at least a poem a morning, though which are any good, it’s hard to say.
But creativity is a funny thing. Earlier this fall, I took a poetry class and vowed to just write, to generate work, to make, for as long as it took. And I did, all fall. It was glorious. But now, mere weeks later, I feel a familiar antsyness as I start to worry, to push, to want to force that raw, unfinished work into something meaningful—a book, a record, a testimony to the world that I am not lazy, that I am not, uh, bad, that I EXIST. In September, when I read up in Portland with the poet Stephanie Adams-Santos (who taught me about Lucie Brock-Broido), she said that when she writes she tries to scratch some metaphorical itch, to find something inside herself that needs fulfilling and, well, fulfill it. (She actually said this much more clearly and beautifully than that!) In answer to the same question, I said that I turned to my readers to tell me if something was any good. And then I thought about what she said and wondered, what if I did that, too?
So, I guess here I’ve answered my own personal logic puzzle: because I have taken a little break from reading from Little Prayers, because I don’t have something else to publish NOW, because I always feel the glow from a published essay for about a month before it fades, I have been inhabiting this space, on and off here in the December dark, where I don’t feel like I’m any good. Hence the rush to publish something, to finish something, to frantically get out into the world a thing that isn’t even ready yet, just so I can prove something to—to whom? I don’t even know.
How stupid I am, sometimes.
I’m still learning to be a writer: to chase the joy and to find that balance between playful, creative inquiry and brass tacks. And I feel enormously comforted here at the end of this blog post, because somehow writing all of this down, I feel like I have permission to be in the playful inquiry stage a while longer. Brass tacks, be off with you. Glad we had that little chat.
So! In the meantime, while you (and I) are waiting for my second book of poetry (!), if you need a great little gift, you can buy my first, Little Prayers, and I’ll sign it for you. There are more good gift ideas for writers here and here.
And here’s to the beauty and the difficulty of this season. If you want to share what you love or loathe about December, I’d love to hear from you in the comments below.
Warmly and with my best wishes for happy holidays and a fruitful new year,
The other day in the car we listened to this Robot or Not podcast about whether it’s better to have changing seasons or nice weather all the time. The New Englander in me immediately said “seasons,” though if I’m honest, I haven’t terribly missed those frigid Februaries and wet Marches too much since I moved West. (Fall colors, on the other hand? My tragic lost love.) I think the thing about living in a place like northern California, where the temperature changes maybe 25 degrees max, all year, is to be super in tune with the small changes: the few fall colors we get? Oh how I appreciate them. That chill in winter, when it’s below 40 in the morning? I’ll take it. And what passes for summer, and me having had the wherewithal to get up at six a.m. to write for an hour in that clear morning light FOR THREE WEEKS STRAIGHT NOW?
Yes, yes, yes.
Right now, in early June, we’ve got the warmest weather we’ll see all year—until late September, that is, when we get a second stretch of heat. In the middle? Fog. So when we have these warm summer days, it’s important to seize them: the late light, the abundance of flowers, and mostly, the many fruits in our amazing garden.
And in the stores, already, blueberries and peaches and nectarines and basil like you wouldn’t believe.
So I have to admit that while I was all about meal planning and being organized and cooking ahead—and while overall this has been such a smart move—lately I’m into the easiest and loveliest of summer meals: a salad, an artichoke, a protein, a pile of rice. I’m stocking my kitchen with summer’s bounty, tons of which comes from my very own garden, and then I’m seeing what happens next.
It’s kind of like writing a poem. A summer one.
Speaking of which: I’ve got a mini book tour going! I read in Santa Barbara last week, and I’ll be in Davis, California, tonight. Next week, I’ll feature at the Voz sin Tinta reading series in San Francisco. Over the summer I’ll hit Portland, Maine, and I’m hoping for the other Portland in the fall. You can stay up to date on my comings-and-goings on my new Little Prayers Book Tour page.
And if you wanted a copy of my book and haven’t yet gotten one, The Bookmobile is coming! I’ll be signing and sending books in the month of June. Drop me a line via my contact page for details.
And wherever you are, enjoy a gorgeous summer meal. (Unless you’re in the southern hemisphere, I suppose.)
This terrific blogger named Jess Witkins interviewed me about my new poetry collection, Little Prayers. There’s a book giveaway, too. Here’s a teaser:
Jess: Why do you think poetry is important today?
Me: I think poetry asks us to tap into a different part of our brains than prose does. It demands and requires more intangibility. I remember well the time my mom told me she liked my poems but felt like she didn’t understand them. I told her she didn’t need to, that she should just appreciate what she got out of them. She told me later how freeing that was for her, that me giving her permission not to work too hard took away a lot of her anxiety and allowed her to just sit with the lines and enjoy them. I think that’s one of the things that’s hardest about poetry—we don’t always “get it” in the way we might, say, a novel or a memoir, and maybe that’s why people run away from it. We don’t want to feel stupid or like we’re missing something. We want clarity, answers. Because poetry often raises questions. But I think that’s a really good thing! Poetry can open us up to mystery and abstraction, which is good for our brains and our hearts. And the music of poetry—learning to hear it—is essential for anyone wanting to write or appreciate good writing.
I hope you’ll read it, and, if it feels right, share on Twitter, Facebook, Google+, or wherever you social media.